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      <image:caption>Simon Biggs, Double Agent, 2018. Dancer Ziqian Zhou. Photograph MOCO’19, Arizona.</image:caption>
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      <image:caption>Simon Biggs, Double Agent, 2018. Dancer Ziqian Zhou. Photograph MOCO’19, Arizona.</image:caption>
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      <image:caption>Heidi Latsky headshot by Darial Sneed</image:caption>
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    <lastmod>2020-08-03</lastmod>
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      <image:title>July15_1_3_PM_PracticeWorks</image:title>
      <image:caption>Image of Bill T. Jones using PoseNet for the project Body, Movement, Language Photo courtesy of the Google Creative Lab</image:caption>
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      <image:title>July15_1_3_PM_PracticeWorks</image:title>
      <image:caption>Bathed in a magenta light, performer Yo-Yo Lin dances with knees bent and hands in a circling motion in front of her. Black cables and microphones are attached to her chest, sonifying her moving bones and joints in real-time. She moves within a translucent fabric cube swirling with white projection outlines of her dancing body. Photo credit: Steve Dabal</image:caption>
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      <image:title>July15_1_3_PM_PracticeWorks</image:title>
      <image:caption>A performer is turning on a light in a semi transparent box with four lamps photo credit: Chunhan Chen</image:caption>
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      <image:title>July15_1_3_PM_PracticeWorks</image:title>
      <image:caption>The Shadow – Concept, staging &amp; programming : Georges Gagneré. Credit : didascalie.net</image:caption>
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      <image:caption>Circular vignette with landscape projected onto Black femme dancer wearing white skirt. Photo credits: Juliet Irving</image:caption>
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    <lastmod>2020-07-22</lastmod>
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      <image:title>July16_130_3_PM_PracticeWorks</image:title>
      <image:caption>OUTPUT in performance at Triskelion Arts, Greenpoint, Brooklyn, in September, 2018. Performer Catie Cuan does a dance improvisation in front of a Kinect v2 to populate her captured human skeleton in upstage right. The captured skeleton is shown next to an animation of an industrial robot with the software CONCAT. She wields a wireless mouse and webcam to simultaneously operate the video-stitching software MOSAIC, forming the moving collage at center upstage.</image:caption>
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      <image:caption>Still taken from Spheres a Dance for Virtual Reality – Giants section</image:caption>
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      <image:title>July16_130_3_PM_PracticeWorks</image:title>
      <image:caption>Aurie Hsu and Steven Kemper performing Why Should Our Bodies End at the Skin? at the Ammerman Center for Arts and Technology 16th Biennial Symposium. Credit: Jack Beal</image:caption>
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      <image:title>July16_130_3_PM_PracticeWorks</image:title>
      <image:caption>Tanzseil, HKB Playtime Festival Bern, January 2020. Credits: Stephan Wermuth</image:caption>
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    <lastmod>2020-07-22</lastmod>
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      <image:caption>IMUU (Kanlun Cen &amp; Weilu Ge)</image:caption>
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      <image:title>July17_1_230_PM_PracticeWorks</image:title>
      <image:caption>Christopher Knowlton improvises during researchal in the lab developing material for “Extended Play” [Image credit: Christopher Knowlton]</image:caption>
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      <image:title>July17_1_230_PM_PracticeWorks</image:title>
      <image:caption>“Exhaust Me” Live Performance, Rutgers University, Mason Gross School of the Arts, Fall Dance Concert 2019. Photo by John Evans.</image:caption>
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    <lastmod>2020-07-21</lastmod>
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